Post #120
(ISO)
» Tue Mar 23, 2021 2:02 pm
yes i suppose one would expect a baroque thing from those instruments - that hadnt occurred to me though
i guess the thing about this is that the whole construction of the song immediately makes me think of it as art music and so i just naturally look for the creative artistic choices in it, which automatically creates an affirmative character for it. like i would envision the artists hearing whatever interpretation i offered and being like "oh that's interesting, i see where you're coming from!! :)" maybe i should have helped you out by picturing them as snooty french academics with mustaches that would be like "oh hon hon hon.... but the messáge is right there in front of you and you eáre missing ít!!!". i had noticed and enjoyed the thing where they're mostly in unison, or closely imitating each other, but then would desynchronize aggressively at moments - it felt like two predatory creatures stalking around each other and occasionally making lunges to attack
don't think i noticed the note bending of the bassoon though. thats definitely something that coulda made me go "i have no idea how you would do that." other than that idk if there was a way i would have given it that much more inscrutability points, but i probably undersold you for the enjoyment points, it was a rly interesting song. great sub in any case, was rly excited to look up the submitter in my spreadsheet and see shafted ??
i think i already tenuously recommended it to you deep in the bowels of one of the monthly music posts that were hard for you to read, but i wonder if you would like the coin coin series by matana roberts