Greece(Rotersand - Exterminate Annihilate Destroy) - An interesting aesthetic here, and as far as I know it's well done, it's just not my thing. Also, it ended differently than I expected.
USA(The Ghost Inside - Aftermath) - I can't really speak to the emotional aspects of this song. Even though they are obviously an important part of it, they don't really land with me, though the problem is likely on my end. The song seems to be reasonably well-executed otherwise, with enough 'little things' and changes thrown in to break up the 'metal' parts.
Armenia(Cat Power - I Found a Reason) - Not much here, but its nice to listen to, and it's a good length for that too. (For the sake of its points, it is lucky I'm going from the bottom up.)
Yemen(Colour Revolt - Ageless Everytime) - Another song from this band is on my Super Playlist
1, so I had high hopes. As it is, I found this song just average.
Seychelles(KASHIWA DAISUKE - METEOR) - The combination of piano, strings, and drum kit(+some sort of bass) is odd in a non-jazz context, but this works.
Guyana(IU - You and I) - This is fun to listen to, except for sound quality issues. Some of instruments and vocals sound pretty harsh.
Sudan(12RODS - Red) - There are interesting instrumental and vocal parts here and there, and those would probably work for me in other songs or assembled in a different way, but I'm not a fan the way they are put together here.
Belarus(Astronautalis - The Wondersmith and His Sons) - I've been waiting to submit this song since SC 147, and I couldn't wait any longer. Something about the beat, the vocals, and the layers of instruments just fucking bops. Not to mention the fact that these are probably the second-best lyrics I've ever submitted.
2 I kinda don't want to move on from here.
South Korea(Block B - Nillili Mambo) - The intro was a little weird, but once the beat kicks in it all works out. It feels like stereotypical k-pop/rap, however oxymoronic/wrong that is or isn't(I have no clue on k-pop trends). It is well-made and fun to listen to, though. The outro is weird too, but also funny.
Central African Republic(The Hoosiers - A Sadness Runs Through Him) - It's well done for what it is, it's just a bit boring.
New Zealand(AURORA - Winter Bird) - Same as the last song, with the addition of finding the vocals a little annoying and going on for too long.
Spain(Grails - Take Refuge) - Interesting sound effects in the intro. Chill with nice variation on the instruments to keep interest. The combination of the the organ and whatever-that-is at ~4:00 is odd but ok. Not a fan of the fadeout, though. I would have preferred it just stopped at ~6:45-7:20, with no fadeout.
Russia(Любэ (Lyube) - Не валяй дурака, Америка! (Ne Valyay Duraka, Amerika!)) - This feels like a typical 'novelty' entry. It's just okay.
Djibouti(Slaughter To Prevail - Demolisher) - There are some similarities between this and USA. I'm also clueless on metal genres, so I have no idea how close they really are. The main relevant difference to me is they pretty much do the same thing all the way through here. In this case, I think the approach in USA sounds better.
Denmark(Picturesque - Unannounced) - Even though it's clearly doing something different, I feel the same way about this as Central African Republic, but with sound quality issues. Everything sounds a bit muffled and pushed together.
Cote d'Ivoire(Lyre le Temps - Rob the Banker) - This is an interesting combination that works well and sounds fun, but there are also sound quality issues. It sounds harsh, thin, and tinny. It's still a nice song otherwise, but it could have been better.
Egypt(Samm Henshaw - Broke) - I don't have much to say here, but this is nice and fun to listen to.
Liechtenstein(Blackway - What's Up Danger) - This is more compositionally interesting than Egypt, but not as consistently nice to listen to. Those about cancel out.
Argentina(Ajay Gogavale & Atul Gogavale - Yaad Lagla (I've Gone Insane)) - This a really nice composure of classical instrumentation with Indian flair. The flourish at ~3:50 is quite cheesy, but that's a minor nitpick compared to how good the rest of this is.
Asgardia(Gloryhammer - The Siege of Dunkeld) - This is enjoyable enough, but this song is really defined by its genre, which I have no particular like(or hate) towards.
Iceland(The Hirsch Effekt - Agitation) - This is as well composed as Argentina, but with completely different ingredients, and the composition adapted to match, so they sound nothing alike. I feel similarly about the two tracks though. This one might go on a bit too long, but I don't know what I would cut.
Canada(Cast of Alice by Heart - Another Room in Your Head) - There's not much notable in this other than the vocals. The vocals are quite good, however, which helps make up for that.
Singapore(Inori Minase (水瀬いのり) - Kokorosomali (ココロソマリ)) - There was a slight bit of synth+piano at the very beginning that reminded me of hip-hop, but otherwise this seems typical of what j-pop I've listened to, and pleasant enough to take in. I do wonder what j-pop with hip-hop instrumentals would be like.
Thailand(Postmodern Jukebox - Bad Romance (ft. Ariana Savalas & Sarah Reich)) - I'm not too familiar with most pop music past about 2005, but I am familiar with this song from when we analysed it in English class. When I first saw this in the entries I was afraid they'd butcher it, but for the most part they did well to adapt it. The one thing that I don't like here is the tap-dancing. Not only do I feel it is superfluous, but I feel they did real harm to the structure of their cover just to show off some tap-dancing chops.
Germany(VNV Nation - When Is The Future?) - This isn't really my thing, but its okay enough to listen to. Also, is it just me, or are the vocals a bit quiet in the mix?
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