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===TIER: Way, way above the others
(12) Greenland -- Beta State {Timeless}
-- While this style isn't really me, it's up-tempo and mastered well (possibly just meaning loud; IDK). It grabbed me from the beginning and mostly held on. 4.6/6
===TIER: Look I think y'all deserve points
(10) Costa Rica -- of Montreal {We Will Commit Wolf Murder}
-- It feels like this song is doing its best to make something workable while disrespecting multiple standard techniques for not coming across as obnoxious. And yet... I don't hate this. I kind of unhate this. It's impressive like that. It's rated this highly because I find it engaging. 3.8/6
(8) Sealand -- Sirenia {Seti}
-- This is some early-mid-2000s video game vibe right here. It's too cliche to impress me and the melody synth is that early-mid-2000s kind of unnatural but at least I can listen to it, and in this contest that's where the bar is. 3.75/6
(7) Djibouti -- Jason Richardson & Luke Holland feat. Rick Graham {Hos Down}
-- This isn't my casual style either, but I acknowledge the musicianship (to such a degree that I feel like I'm cheapening it by only rating it here). The sudden country break was worth it (and by saying that I feel like I'm outing myself as someone who enjoyed The World's Most Unwanted Song). Since it's not my style, though, I feel I have to halfheartedly say it went on too long for my preference though. 3.7/6
===TIER: 10/10 it's ok
(6) Egypt -- Rina Sawayama {Cyber Stockholm Syndrome}
-- I feel like I'm not fashionable enough to understand this song. This is absolutely a song that other people will like, and I'm pretty sure this song will do well, but for my part I'm putting it this high because it's chill and I don't really hate it for any reason. Also I agree with the comment "petition to release on her vevo account and remaster the video". 3.6/6
(5) Croatia -- Damjan Mravunac {Virgo Serena}
-- This sure is an odd thing to submit to a song contest, but I'll still take it seriously. It's not something I'd want to listen to again, in part because it's honestly not that interesting, but at least it sounds good enough to not hate. I know if I give this points I'll murder my sheeple score and I'll deal with it; it wins head-to-head against the below because it feels soft. 3.5/6
(4) Chad -- The Deadly Syndrome {I Hope I Become A Ghost}
-- It sounds kind of decent. The vocals are ungood but at least the drum set is putting in work to make it feel like this isn't Song Contest hell. 3.46/6
(3) Liechenstein -- Sick Puppies {Odd One}
-- At least they're not Rabid Puppies? It's okay. Its message is reasonably well-executed. The sound's kind of unremarkable and it's too sappy to win ties. FEELAAAAAN and AAAAAAAAAAY are tiresome. 3.45/6
===TIER: Why is there still room to give points
(2) USA -- Ice Nine Kills {IT Is The End (ft. etc.)}
-- Clown growling is a genre, I suppose. It's so chaotic that it's hard to parse, and it kind of presupposes that you've already bought into the theme. It's well-made, although it's an open question if what was made was a good idea. This probably would have been better if it wasn't so dedicated to the whole post-hardcore thing and flipping between speaking and singing. Gets a score above white noise because I appreciate the use of saxophone. 3.15/6
(1) Iceland -- An Isolated Mind {Afraid of Dissonance}
-- Y'know, I kinda think I'm not surprised that you watch raocow.
But yeah I hated this from the first waveform
I'm trying to make any sense of this and turning up the volume doesn't bring the voice into any clearer definition. It's like listening to what the people in the next room over are blasting. It sounds okay, and while I feel like I should dislike it more it's so fuzzed that I can't bring myself to get worked up about it. Then it vanishes into white noise. It gets a rating that basically fits white noise. 3/6
Iran -- Saweetie {My Type}
-- Huh. Up until now I never considered that rhyme for "bigger". I'll do my best to forget about it by the time I finish this post. 2.8/6
San Marino -- Itchyworms {Beer}
-- I can't fault it for failing to deliver on the booze. 2.75/6
Turkey -- Eric Whitacre {Leonardo Dreams of His Flying Machine}
-- Okay, but
Eric Whitacre
? The guy who got band directors to think it would be a good idea to put a song called "Sleep" on their programs? The guy who composed Equus? I was around when October was a band meme... 2.45/6 or something, hard to rate but likely gets placed here due to head-to-head wins
===TIER: no plz
Hungary -- Ginuwine {Pony}
-- My entry feels attacked by your entry. :V 2.2/6
Spain -- Ambitious Lovers {Love Overlap}
-- 2.1/6
Comoros -- tricot {Potage}
-- 1.9/6
Australia -- Approachable Members of Your Local Community {Velcro}
-- 1.8/6
Ecuador -- Sub Urban {Cradles}
-- 1.7/6
Somalia -- Maylene and the Sons of Disaster {Memories of the Grove}
-- 1.45/6
Poland -- Two Gallants {Despite What You've Been Told}
-- 1.3/6
===TIER: you're welcome back but make sure you learn how to socialize while you're gone
Russia -- Toad {USSR Anthem}
-- Given the promise to not vote I refuse to rate vizIIsto's entry on principle, let alone put any effort into what I would rate it if I were going to. NA/6
Canada -- Brooks & Dunn {Boot Scootin' Boogie}
-- Y U P
This song is an iconic example of how this duo, Garth Brooks, and Randy Travis ran away with and remade the country genre in the early '90s. This song was legiterally so big that both me AND Amrun couldn't leave primary school without learning how to Boot Scoot. Apparently this was even true of some schools in Canada! Who says that schools don't teach our values? :^]
But this is actually a serious entry for a variety of reasons. This genre is basically unrepresented in Song Contests (that Brad Paisley entry doesn't count). It's short, up-tempo, and
very
catchy. It's winkingly self-aware of how extremely white it is (it ain't called "honky tonk" for no reason). But most importantly, Ronnie Dunn's voice is top-shelf, with all the crispness you could want and relatively little of the whine and twang that's customary to the genre.
I decided that y'all would rather listen to this than tear-in-my-beer, which is why I didn't go with my original choice,
Neon Moon. I personally like it better, and it was still a close decision, but ultimately this contest isn't quite about what I want.
Remember: In Oklahoma and Texas, B&B doesn't stand for "bed and breakfast", it stands for "bar and brothel". Although if you squint hard enough after a few beers those are kind of the same.
Good YouTube comment:
I don't listen to this song often
But when I do
So do my neighbors