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Post Post #23 (isolation #0) » Wed Nov 27, 2013 7:43 am

Post by Majiffy »

I made many sacrifices for that video. Ropeburn is terrible, especially when the ball you're sitting on breaks.
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Post Post #24 (isolation #1) » Wed Nov 27, 2013 7:49 am

Post by Majiffy »


Song from a musical I mic'ed and ran a few weeks ago.
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Post Post #78 (isolation #2) » Sun Aug 31, 2014 6:12 am

Post by Majiffy »

I fucking love Finger Eleven's older shit.

First 3 albums rocked.
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Post Post #81 (isolation #3) » Thu Sep 04, 2014 5:49 am

Post by Majiffy »

Man I was just about to start listening to The National after hearing the intro track with the singer on AMC's Turn.

Are they good? They better be good.
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Post Post #83 (isolation #4) » Thu Sep 04, 2014 7:06 am

Post by Majiffy »

Lol listening orders.

I'm a chronological kind of man. I like to hear how bands evolve over time.
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Post Post #85 (isolation #5) » Thu Sep 04, 2014 7:39 am

Post by Majiffy »

Eugh David Bowie.
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Post Post #87 (isolation #6) » Thu Sep 04, 2014 8:15 am

Post by Majiffy »

Rofl.
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Post Post #107 (isolation #7) » Fri Oct 24, 2014 6:47 am

Post by Majiffy »

FUCK YES
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Post Post #117 (isolation #8) » Thu Nov 06, 2014 7:10 am

Post by Majiffy »

Rob Cantor! :D

Also you lucky duck AK. I really want to see Lanegan tomorrow but I highly doubt I'll be able to travel to Philly for it. That's like a cool $150-200... ugh.
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Post Post #119 (isolation #9) » Thu Nov 06, 2014 7:28 am

Post by Majiffy »

UGH I SO WANT TO.

I EVEN TOOK THE DAY OFF.
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Post Post #121 (isolation #10) » Thu Nov 06, 2014 7:38 am

Post by Majiffy »

Well, 90s Lanegan would probably do heroin and chain smoke while playing an acoustic guitar in his room.
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Post Post #122 (isolation #11) » Thu Nov 06, 2014 9:15 am

Post by Majiffy »

You know what I could go for?

Some Shinedown.

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Post Post #123 (isolation #12) » Thu Nov 06, 2014 9:16 am

Post by Majiffy »

What a fucking vocalist.
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Post Post #129 (isolation #13) » Fri Nov 07, 2014 9:17 am

Post by Majiffy »

Shake It Off is an incredibly well-composed and catchy track. Not that she probably composed it, but still.

I haven't heard anything else from it and don't particularly care to.
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Post Post #131 (isolation #14) » Fri Nov 07, 2014 11:21 am

Post by Majiffy »

I was talking musically. Not lyrically.
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Post Post #132 (isolation #15) » Fri Nov 07, 2014 11:22 am

Post by Majiffy »

Hence my use of the word "composed".
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Post Post #135 (isolation #16) » Fri Nov 07, 2014 1:17 pm

Post by Majiffy »

Anatoejam.
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Post Post #137 (isolation #17) » Fri Nov 07, 2014 1:27 pm

Post by Majiffy »

That's what AK calls himself when he goes to an association football game.
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Post Post #149 (isolation #18) » Tue Dec 09, 2014 10:12 am

Post by Majiffy »

Remix contest submission.

Start to finish in about 24 hours. Mostly because I just found out about the contest yesterday and deadline is in 45 mins from this post.

Enjoy.
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Post Post #200 (isolation #19) » Fri Apr 28, 2017 11:22 am

Post by Majiffy »

New Gorillaz album out. Torrented a copy, will give it a thorough listen later tonight.

New Mark Lanegan album out. Will be down at the record store to pick it up tomorrow and will give it a thorough listen then.

New Incubus album out a week ago. Will probably pick that up when I'm at the record store, too.

Also my copy of Lunatic Calm's second album,
Breaking Point
, finally arrived. Imported from Japan.

In other news, Tool's Justin Chancellor and The Crystal Method's Scott Kirkland are teaming up for a new project called Bandwidth, with two remixes already released and original music currently being worked on. So if I don't see new Tool or TCM albums this year - both sorely overdue - maybe I'll get this new thing to hold me over.

Oh and I guess A Perfect Circle is working on new material, too. So that's two bands waiting on Maynard to release new material.

2017 is shaping up to be very interesting indeed.
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Post Post #201 (isolation #20) » Fri Apr 28, 2017 2:26 pm

Post by Majiffy »

In post 200, Majiffy wrote:New Gorillaz album out. Torrented a copy, will give it a thorough listen later tonight.
Good album. Not up to their first 3 releases but definitely a lot better than
The Fall


First half the album feels too much like
Damon Albarn Presents...
instead of
Damon Albarn's Solo Project Also Featuring...
but I guess that's really the direction he's been going with this since Demon Days.

Production is top-notch all across the album, as is to be expected by now from Gorillaz.

Top tracks in my opinion are Strobelite, Saturnz Barz, Momentz, Andromeda, Carnival, Let Me Out, Sex Murder Party, She's My Collar, The Apprentice and Circle of Friendz. Most of those are the Albarn-heavy tracks - I'm a bit biased towards tracks that feature his vocals over others'.

I'd give it a 7/10.
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Post Post #203 (isolation #21) » Sat Apr 29, 2017 7:08 am

Post by Majiffy »

The second half is much less rapping and much more Albarn singing.

Start over again with Andromeda first, I think that was the beginning of the shift away from rap.



Just got home from the record store with Incubus and Lanegan. Ripping Lanegan now, Incubus next, then I'll pop them on my NWZ-A17 and give them a few passes throughout the evening.

I'll give reviews either tonight or tomorrow, depending on when I'm done. Might do Incubus first, because Lanegan is a much deeper consumption that I'm almost certainly going to rate high and listen to several times.
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Post Post #205 (isolation #22) » Sat Apr 29, 2017 8:16 am

Post by Majiffy »

In post 204, Lil Uzi Vert wrote:The album feels like a complete and utter flop
No that was
The Fall


This is at least partially better than that.
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Post Post #209 (isolation #23) » Sat Apr 29, 2017 9:00 am

Post by Majiffy »

In post 207, Davsto wrote:
In post 203, Majiffy wrote:The second half is much less rapping and much more Albarn singing.
I guess but even a lot of the Damon singing lacked hooks
That's fair, but I've always been a fan of the more melancholy / moody Gorillaz tracks that aren't necessarily catchy.

One of my favorites is Rhinestone Eyes, although it could be argued the synth breakdown in the "hook" is still a pretty catchy diddle.



And yeah, GB&Q's was great.

You should check out Tally Hall, you'll probably like them.
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Post Post #211 (isolation #24) » Sun Apr 30, 2017 7:14 am

Post by Majiffy »

How really awesome is the new Incubus album?
(As a quick aside, there's another, even more awesome way to read Glitterbomb that I don't really discuss here and will make another post for)


It's hard to put down on paper, really.

I've been listening to it for hours now. I haven't YET listened to BRAND NEW MARK LANEGAN, one of my FAVORITE ARTISTS OF ALL TIME, because I'm still listening and loving 8

I hate the production sheen that Skrillex put on this album. I hate that it sounds polished, and "new", and ugly, and distorts at just the right places

I HATE THAT SKRILLEX ACTUALLY PRODUCED AN ALBUM I CAN POINT TO AND SAY HE'S A GOOD PRODUCER. BECAUSE WHAT HE DID HERE, HE DID RIGHT

I still say Glitterbomb is the best track on the album and I will stand by that. Followed by either Surveillance or Throw Out The Map

But can I get to the review now? Okay, cool.

This album starts out with what feel to be two generally whatever lead-single type tracks.
No Fun
, and
Nimble Bastard
. Good enough. Simple fresh Incubus.

Then comes
State of the Art
. Now as a single, this track makes absolutely no sense. It's complete garbage. In the sense of the album - keep with it - it sets the tone

So the notion of the album is set here at Track 03 - it's a direct shot at radio rock that they were forced into producing back in their major label debut days. You're going to sound very polished but you're falling apart
and what you're doing now is going to hurt you.


Then onto the next track,
Glitterbomb
. What they used to have to make: "I was your friend and ended up your victim", and how it destroyed their creative flow

Undefeated
Following the anthem of Glitterbomb, there's a great dichotomy between "we're undefeated/I'm not dead yet", with the production values of the two defining one as the unstoppable train towards the top of the charts, and the other being the creative essence of the band.

Loneliest
A really nice dubsteppy take on their old love songs like Summer Romance - I love how Skrillex rolls the bass here. - god I fucking hate saying those words, "I love how Skrillex". Please don't ever make me say those words ever again, Sonny Moore.

Anyway in a form of trope inversion, they take their love/sex song format and give a love song about being alone. It mirrors the thematic of the album - feeling alone and separated from everyone else as they were hitting the top of the rock charts, but no one to really express to/with.

When I Became A Man

A great musical interlude that reminisces about their past hits and the lyrical thematics therein. Also gives the ears a nice break before

Familiar Faces

This'll probably be the song that everyone wants to be the single. It just
feels
like a summer day - god, hell, I kinda wanna stop listening right now and go outside
Lyrical nugget: "It's time for us to come out of hiberation"

And yet doesn't that all seem so traveled? Done before? Boring? Moving on

Love In A Time of Surveillance

Holy shit

Okay wait hold on pause the record let me take that in

Heavy as fuck Old Incubus!!!
(But you gotta get to the end of the song)

Starts off with a fucking dial-up noise
Pounding drums, riffing guitar, makes you want to grab a deck and hit the pavement

Dis A Pear Big Data Has Got Your Number / Has
Got
You


Anyway in the album thematic this is where they dropped under the radar in order to reclaim themselves

Oh boy and then that breakdown comes

\m/ Let me hit it the pit


Lyrical note: "I will embrace my assailants/Love in a time of Surveillance"

Phew okay lets take a breath

Make No Sound In The Digital Forest

I could talk on end about the sound design done here by the band's DJ. I could RANT AND RAVE about that guitar tone and delay holy fuck I love that delay

This is a great little instrumental and serves to break up both the flow audibly and also work as the space between going on hiatus and eventually coming back together to

Throw Out The Map

When you're the one making the rules, why listen to what anyone else has to say? Why have them dictate what makes a hit, what makes an album?
Never again
, says Incubus, with this triumphant finale. We're done playing by the rules and we're going to keep doing what made us who we were to begin with: being one of the pioneering edges of rock by blending everything. Even ...
Dubstep breakdown?!?!?!


Boyd signs the album off "Chaka khan, motherfuckers"

And this one really kicks some ass here, people. I undersell how really good this track gets. The breakdown is phenomenal - give it a listen yourself,
after listening to the rest of the album.


Where, where do we go from here?


Holy shit, man, you're
No Fun


And now this song makes so much more sense


This album was made to be repeated

Lyrical snippet: "You're a song I never want to hear again"

Nimble Bastard

The lead single off the album. The song I've been hearing so much shit about from everyone everywhere.
"Man, it sounds like Incubus is trying to just do what they used to do but they're no good anymore"


And after the album you just heard, this is Incubus' question asked and answered. You wanted a packaged, prepared radio single that is guaranteed to dominate the rock charts for months, by a band that everyone loved and has come out of hibernation to give us

WHAT


I've gotta trip before I can see the finish / How else would I learn?




And then I'm back to listening to this fucking album again, like a Nimble Bastard they've got me listening to this awful piece of shit album on repeat, absolutely amazed at how everything is PERFECTLY MIXED AND BLENDED TO SPEC

And yes, everything does sound exactly what you think you're hearing there, audiophiles

How do you see the stars from that far down? -
Salt of the Earth



8
/10
Last edited by Majiffy on Sun Apr 30, 2017 8:49 am, edited 1 time in total.
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Post Post #212 (isolation #25) » Sun Apr 30, 2017 7:16 am

Post by Majiffy »

Now I'm going to take a quick break and take care of some mafia games and then maybe I'll get around to reviewing this new Incubus album
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Post Post #213 (isolation #26) » Sun Apr 30, 2017 7:24 am

Post by Majiffy »

Okay so alternative reading of Glitterbomb that is a 100% personal read: It's a kick-ass reclamation song for survivors of sexual assault.

As a victim myself, all of the emotions and words here are just exactly on. Nothing more really needs to be said.
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Post Post #215 (isolation #27) » Sun Apr 30, 2017 7:31 am

Post by Majiffy »

Bittersweet moment: I was briefly dating a very fantastic criminal who loved Incubus' early work, who would absolutely love this new album, but because she's so good at dis a pear'ing I'm left listening to it alone and thinking of her.

No fun.
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Post Post #216 (isolation #28) » Sun Apr 30, 2017 7:31 am

Post by Majiffy »

In post 214, drealmerz7 wrote:
In post 212, Majiffy wrote:... and then maybe I'll get around to reviewing this new Incubus album
wait, wasn't that what you just did?
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Post Post #217 (isolation #29) » Sun Apr 30, 2017 7:36 am

Post by Majiffy »

Although it's nice to hear that what I thought was going to happen on this album when I first heard the singles was indeed the case.

One of these days I'll be able to put this CD down and listen to MARK FUCKING LANEGAN HAS A NEW GODDAMN ALBUM OUT
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Post Post #219 (isolation #30) » Wed May 03, 2017 11:44 am

Post by Majiffy »

Good band. Still my favorite of the grunge output.
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Post Post #221 (isolation #31) » Wed May 03, 2017 12:20 pm

Post by Majiffy »

I liked Make Yourself more than Morning View but they both suffer from some very nasty over-compression that was doing the rounds in rock music during that era.

I hope they remaster them eventually.
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Post Post #223 (isolation #32) » Wed May 03, 2017 12:28 pm

Post by Majiffy »

What kind of sound are you looking for? They're pretty diverse.
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Post Post #226 (isolation #33) » Thu May 04, 2017 3:06 am

Post by Majiffy »

In post 224, drealmerz7 wrote:it's not the sound, it's the quality of songwriting

from musical composition to lyrics

I can take it as heavy or as soft as they do, I just want a very good song
For songwriting I really like

The Warmth
In the Company of Wolves
Privilege
Aquarius Transmission
Thieves
Make Yourself
Are You In?
Here In My Room
Dig
Love In A Time Of Surveillance
Glitterbomb
Diamonds And Coal
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Post Post #227 (isolation #34) » Thu May 04, 2017 3:08 am

Post by Majiffy »

In post 225, Nero Cain wrote:I still like
Under my Umbrella
and
11am
but Kuroi thinks they're some of the bad Incubus songs. :/
Those are ok but I'd be inclined to agree. 11am is probably my favorite of those two, good chill morning joint song.

Oh Blood On The Ground is good too but not amazing songwriting. Fun lyrics though.
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Post Post #229 (isolation #35) » Thu May 04, 2017 2:49 pm

Post by Majiffy »

I think you'd be hard-pressed to classify them as easy-listening. Morning View and If Not Now, When?, maybe, but certainly not the majority of their LP output.
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Post Post #231 (isolation #36) » Mon May 08, 2017 12:46 pm

Post by Majiffy »

That concert was pretty good. No Leaf Clover was awesome, always wished they'd have released a studio version.
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Post Post #233 (isolation #37) » Mon May 08, 2017 12:57 pm

Post by Majiffy »

I think the Live Shit Binge & Purge release was better in all ways but yeah S&M had some really awesome moments.
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Post Post #234 (isolation #38) » Mon May 08, 2017 12:57 pm

Post by Majiffy »

And let's face it Rude Awakening by Megadeth trumps either of those releases by virtue of literally being the better band.
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Post Post #236 (isolation #39) » Mon May 08, 2017 1:15 pm

Post by Majiffy »

In post 235, drealmerz7 wrote:-pedit- oh you're one of THOSE who thinks megadeth is a better band
You mean people with ears? :]
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Post Post #245 (isolation #40) » Sat Jul 15, 2017 9:04 pm

Post by Majiffy »

In post 211, Majiffy wrote:How really awesome is the new Incubus album?
How really awesome is Incubus live? That was, hands-down, the best music and light show I've ever seen. I was very impressed by the lighting designer's choreography, and Incubus just killed it. I was left in a state of euphoria by the time they closed with an Aqueous Transmission encore.

If they're coming near you, I highly recommend checking them out if you have even a passing interest in them.
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Post Post #248 (isolation #41) » Sun Jul 30, 2017 12:05 pm

Post by Majiffy »

In post 246, Lycanfire wrote:Saturday Record Store pickups
So sad the last one near me finally closed down.

Original owner passed a few months ago and it doesn't seem like anyone in the family wanted to carry it on.
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Post Post #253 (isolation #42) » Mon Jul 31, 2017 11:43 am

Post by Majiffy »

Well their last major release was when you were 10 so ¯\_(ツ)_/¯
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Post Post #262 (isolation #43) » Wed Aug 16, 2017 2:59 am

Post by Majiffy »

In post 260, Lycanfire wrote:ringo's new album on cd $40

ringo's new album on vinyl $20

okay amazon you drive a hard bargain.
Recorded in a digital or analog studio, though?
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Post Post #273 (isolation #44) » Tue Sep 12, 2017 11:44 am

Post by Majiffy »

In post 268, Lycanfire wrote: Having a digitally sourced, vinyl mixed record is still a good release. I like quietness in my music because it adds emphasis. Modern music/digital is exhausting. Records physically limiting loudness is what makes it my preferred medium, not any sense of analog purity.

I'm eyeing a digital receiver at the moment. Not all digital is bad. It's convenient. Which is good.
Meh, records don't need to be mixed that way for CD - there's actually a greater range for dynamics on CD than for vinyl. Unfortunately those won't be utilized widespread until regular consumers start loudly protesting "loud" music.

And, well, I doubt that'll ever happen. Even Tool has gotten more squashed over releases.
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Post Post #277 (isolation #45) » Fri Sep 22, 2017 1:04 pm

Post by Majiffy »

https://youtu.be/aiXo6WyhCJs

T. Swift quotes set to Limp Bizkit styling. Hilarious. Excellent.

\m/
The most important thing is to be edgy and sexy and cool
Than anything else!
\m/
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Post Post #282 (isolation #46) » Mon Oct 02, 2017 8:54 am

Post by Majiffy »

Tom Petty just died. RIP :(
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Post Post #284 (isolation #47) » Mon Oct 02, 2017 9:11 am

Post by Majiffy »

No they found no brain activity and pulled life support about an hour ago.

in memoriam
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Post Post #285 (isolation #48) » Mon Oct 02, 2017 3:53 pm

Post by Majiffy »

So the story has been retracted as the LAPD could not confirm Petty's death which throws up a lot of massive ????s but whatever

Hopefully he pulls through ok.
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Post Post #286 (isolation #49) » Mon Oct 02, 2017 8:08 pm

Post by Majiffy »

Ok now he's dead
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Post Post #291 (isolation #50) » Fri Nov 17, 2017 9:26 am

Post by Majiffy »

Yeah it's a pretty okay song
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Post Post #300 (isolation #51) » Fri Nov 24, 2017 9:11 am

Post by Majiffy »

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Post Post #302 (isolation #52) » Fri Nov 24, 2017 10:58 am

Post by Majiffy »

Yarp
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Post Post #308 (isolation #53) » Wed Nov 29, 2017 3:12 pm

Post by Majiffy »

In post 306, Drench wrote:lorde was great live and i would die for her, thanks
Probably not as good as Incubus was
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Post Post #317 (isolation #54) » Mon Dec 18, 2017 3:59 am

Post by Majiffy »

I fell off Em after Curtain Call. I haven't heard much by him that I've liked since.
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Post Post #318 (isolation #55) » Mon Dec 18, 2017 3:59 am

Post by Majiffy »

Sorry, Encore.
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Post Post #323 (isolation #56) » Fri Dec 22, 2017 3:12 pm

Post by Majiffy »

Sorry but the best song from Newsies is Seize The Day.
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Post Post #339 (isolation #57) » Mon Jun 11, 2018 12:51 pm

Post by Majiffy »

I use VLC
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Post Post #344 (isolation #58) » Fri Aug 31, 2018 5:00 am

Post by Majiffy »

Yeah I got a notification about it on my phone. Honestly big names don't even need to advertise album drops now because of that.
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Post Post #346 (isolation #59) » Fri Sep 07, 2018 3:05 am

Post by Majiffy »

Yeah I would have gone to that show if Manson wasn't on the ticket. Not a huge fan of his output
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Post Post #349 (isolation #60) » Fri Sep 07, 2018 5:02 am

Post by Majiffy »

Zombie does some great covers. There's a cover of American Band by Grand Funk on one of his newer albums that's stellar
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Post Post #357 (isolation #61) » Tue Oct 02, 2018 5:18 am

Post by Majiffy »

Oh shit no I hope Billie Joe is okay
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Post Post #365 (isolation #62) » Wed Oct 31, 2018 9:10 am

Post by Majiffy »

Lemon Demon is the shit. He takes Oingo Boingo's weirdness and melodic nuance and applies it to Tally Hall's progpop sound
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