***Mini Normal 1744 - Country Music Mafia - Game Over***


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Post Post #1200 (ISO) » Sat Dec 19, 2015 8:57 am

Post by acryon »

In post 1177, Stairway to the Abyss wrote:Dude Roleplay's town.

Who are you?

Also, VOTE: Titus. Come on town.
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Post Post #1201 (ISO) » Sat Dec 19, 2015 10:25 am

Post by Titus »

In post 1200, acryon wrote:
In post 1177, Stairway to the Abyss wrote:Dude Roleplay's town.

Who are you?

Also, VOTE: Titus. Come on town.


That was me.

P.s. Golden RC is practically confirmed with my flip.
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Post Post #1202 (ISO) » Sat Dec 19, 2015 10:40 am

Post by RadiantCowbells »

In post 1201, Titus wrote:
In post 1200, acryon wrote:
In post 1177, Stairway to the Abyss wrote:Dude Roleplay's town.

Who are you?

Also, VOTE: Titus. Come on town.


That was me.

P.s. Golden RC is practically confirmed with my flip.


What's dis supposed to mean?
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Post Post #1203 (ISO) » Sat Dec 19, 2015 10:42 am

Post by RadiantCowbells »

Is that the yungian post-guilty cop claim?

It's a work of pure genius, really. You'll get the cop to out and-

oh wait.
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Post Post #1204 (ISO) » Sat Dec 19, 2015 10:52 am

Post by Dwlee99 »

You said you dont want titus at l-1, right, RC? How many votes are there on titus?
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Post Post #1205 (ISO) » Sat Dec 19, 2015 10:53 am

Post by RadiantCowbells »

RC count:

Acryon, FA RC
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Post Post #1206 (ISO) » Sat Dec 19, 2015 10:54 am

Post by Dwlee99 »

VOTE: Titus
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Post Post #1207 (ISO) » Sat Dec 19, 2015 1:40 pm

Post by Titus »

Shrug, don't come crying to me when town loses.
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You're letting Titus win the game by herself.Good luck now I guess.You have no chance to win.~Tywin

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Post Post #1208 (ISO) » Sat Dec 19, 2015 1:41 pm

Post by Titus »

In post 1202, RadiantCowbells wrote:
In post 1201, Titus wrote:
In post 1200, acryon wrote:
In post 1177, Stairway to the Abyss wrote:Dude Roleplay's town.

Who are you?

Also, VOTE: Titus. Come on town.


That was me.

P.s. Golden RC is practically confirmed with my flip.


What's dis supposed to mean?


I am town. You waited on your claim until pressure built on someone else.

Either you're scum, or you're so indignant that you can't listen to anyone else
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The scum had the misfortune of Titus being absurdly accurate on day one.Really quite impressed by that.~Drixx

You're letting Titus win the game by herself.Good luck now I guess.You have no chance to win.~Tywin

GTKTitus Part 2
Titus Academy

VLA Friday nights until Sunday morning.

All hail the Scum Empress!
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Post Post #1209 (ISO) » Sat Dec 19, 2015 2:26 pm

Post by RadiantCowbells »

I don't have time to finish my readslist right now.

Either tomorrow or the day after I'll post my final readslist then we can go ahead and lynch the guilty.
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Post Post #1210 (ISO) » Sat Dec 19, 2015 3:00 pm

Post by golden009 »

I need a VC to know what Titus is at, since I can't be trusted with vote counts myself.
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Post Post #1211 (ISO) » Sat Dec 19, 2015 3:01 pm

Post by RadiantCowbells »

Don't vote her until I've had time to post my final reads list.

I'm fairly sure tomorrow's lynch is MM because of his weird ass reaction to the guilty but I'm not fully decided.
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Post Post #1212 (ISO) » Sat Dec 19, 2015 3:06 pm

Post by golden009 »

In post 1211, RadiantCowbells wrote:Don't vote her until I've had time to post my final reads list.

I'm fairly sure tomorrow's lynch is MM because of his weird ass reaction to the guilty but I'm not fully decided.


Fair enough. I still like the RolePlay vote, but I'm also interested in MM.
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Post Post #1213 (ISO) » Sat Dec 19, 2015 4:26 pm

Post by RadiantCowbells »

Human beings probably danced even before there was a word for it. Rhythmic bodily movement is instinctive. It connects people, even if unconsciously, to the rhythms of nature. Dance springs from a human desire for personal expression and social connection. and it feels good.

People dance for all kinds of reasons - to mourn, to celebrate, to heal, to give thanks, to preserve cultural heritage and treasured legends, to demonstrate physical prowess, to assert individuality, to provoke and to entertain.

Almost anyone can dance, regardless of age or ability. Maybe it's the Argentinean tango, the American square dance, the Viennese waltz, an improvised riff at a club or a step or two at a family wedding. Whatever the style or situation, dancing can be fun and a great way to socialize.

Related but different, theatrical dance is presented as art and entertainment. Trained dancers perform for an audience and the goal is to evoke a response. Dance becomes another way of communicating. A dance could express something specific like a story. It might seek to convey an idea, or it might simply be about creating an abstract effect, the way music often does.

Theatrical dance is often non-literal. The moving body conveys feelings or ideas that cannot be put into words. Try explaining the mesmerizing effect of Japanese butoh, with its meticulously controlled movement; or the exhilaration of break dance, with its fast, punchy jumps and turns.

Dance is a part of many popular entertainment forms, from ice shows, movies and music videos to Broadway musicals and the circus. It also stands on its own in concerts featuring solos, duets and ensemble works, often to live music.

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Performance styles are varied and evolving. They may reflect or challenge the social, cultural, even religious traditions and values of their root cultures.

Ballet, for example, is danced in many parts of the world but it is a European form, originating in the courtly entertainments of 15th century Italy. Courtly life requires formality and gracious behavior. Though it has changed over time, ballet still expresses these values today.

In contrast, various forms of South Asian dance now seen in a theatrical context have their roots in ancient temple dances. The characteristic rhythms of bharata natyam or kathak dance derive from musical traditions. The resulting grounded movement is notably different from ballet's upward lift - itself in relation to western melodic forms.

Start dancing ballet to jazz music and the movement begins to change. A new freedom in the hips creates a whole new effect not immediately identifiable as classical ballet. The labels we use to identify dance forms are arbitrary. They are designed to help analyze and categorize what is ultimately a shared human experience - the impulse to move.

Through dance, we can better understand our common humanity by appreciating and exploring the different inflections of this impulse.
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Post Post #1214 (ISO) » Sat Dec 19, 2015 4:26 pm

Post by RadiantCowbells »

Uh, you can literally entirely disregard that.
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Post Post #1215 (ISO) » Sat Dec 19, 2015 4:28 pm

Post by bji »

http://www.artsalive.ca/en/dan/dance101/whydance.asp

RC has no credibility in this game.
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Post Post #1216 (ISO) » Sat Dec 19, 2015 4:33 pm

Post by golden009 »

There's probably a crumb in there somewhere.

/s
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Post Post #1217 (ISO) » Sat Dec 19, 2015 4:35 pm

Post by Dwlee99 »

lol rc. So good.
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Post Post #1218 (ISO) » Sat Dec 19, 2015 4:38 pm

Post by RadiantCowbells »

Human beings probably danced even before there was a word for it. Rhythmic bodily movement is instinctive. It connects people, even if unconsciously, to the rhythms of nature. Dance springs from a human desire for personal expression and social connection. and it feels good.

People dance for all kinds of reasons - to mourn, to celebrate, to heal, to give thanks, to preserve cultural heritage and treasured legends, to demonstrate physical prowess, to assert individuality, to provoke and to entertain.

Almost anyone can dance, regardless of age or ability. Maybe it's the Argentinean tango, the American square dance, the Viennese waltz, an improvised riff at a club or a step or two at a family wedding. Whatever the style or situation, dancing can be fun and a great way to socialize.

Related but different, theatrical dance is presented as art and entertainment. Trained dancers perform for an audience and the goal is to evoke a response. Dance becomes another way of communicating. A dance could express something specific like a story. It might seek to convey an idea, or it might simply be about creating an abstract effect, the way music often does.

Theatrical dance is often non-literal. The moving body conveys feelings or ideas that cannot be put into words. Try explaining the mesmerizing effect of Japanese butoh, with its meticulously controlled movement; or the exhilaration of break dance, with its fast, punchy jumps and turns.

Dance is a part of many popular entertainment forms, from ice shows, movies and music videos to Broadway musicals and the circus. It also stands on its own in concerts featuring solos, duets and ensemble works, often to live music.

Killing time while fixing a flat tire [Roshan Amendra]
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Performance styles are varied and evolving. They may reflect or challenge the social, cultural, even religious traditions and values of their root cultures.

Ballet, for example, is danced in many parts of the world but it is a European form, originating in the courtly entertainments of 15th century Italy. Courtly life requires formality and gracious behavior. Though it has changed over time, ballet still expresses these values today.

In contrast, various forms of South Asian dance now seen in a theatrical context have their roots in ancient temple dances. The characteristic rhythms of bharata natyam or kathak dance derive from musical traditions. The resulting grounded movement is notably different from ballet's upward lift - itself in relation to western melodic forms.

Start dancing ballet to jazz music and the movement begins to change. A new freedom in the hips creates a whole new effect not immediately identifiable as classical ballet. The labels we use to identify dance forms are arbitrary. They are designed to help analyze and categorize what is ultimately a shared human experience - the impulse to move.

Through dance, we can better understand our common humanity by appreciating and exploring the different inflections of this impulse.


In contrast, various forms of South Asian dance now seen in a theatrical context have their roots in ancient temple dances. The characteristic rhythms of bharata natyam or kathak dance derive from musical traditions. The resulting grounded movement is notably different from ballet's upward lift - itself in relation to western melodic forms.


In
contrast,
various
forms
of South Asian dance now seen in a
theatrical
context have their roots in ancient temple
dances
. The characteristic rhythms of bharata natyam or
kathak
dance derive from musical traditions. The resulting grounded movement is notably different from ballet's upward lift - itself in relation to western melodic forms.


In various forms theatrical dances kathak


I
n v
a
rious for
m
s
the
atrical dance
s
k
athak


I AM THE SK


Daykill on all players.
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Post Post #1219 (ISO) » Sat Dec 19, 2015 4:42 pm

Post by bji »

In post 1184, RadiantCowbells wrote:I considered trying to push it without claiming but I feel like there's no way that's going to happen with how consistently people ignore my reads, so there you have it.


You never gave reads, and nobody ever ignored you because you never did anything. Your justification here for your actions is baseless.

You may be cop, you may not; but you sure do seem like your playing games instead of following through on a cop result.

Now, if you'd like me to believe your claim, perhaps you could walk me through the thought process that led you to finger Titus last night?
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Post Post #1220 (ISO) » Sat Dec 19, 2015 4:42 pm

Post by RadiantCowbells »

If you want to get autolynched tomorrow, then you go ahead and try to push the lynch away.
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Post Post #1221 (ISO) » Sat Dec 19, 2015 4:45 pm

Post by bji »

In post 1218, RadiantCowbells wrote:
I
n v
a
rious for
m
s
the
atrical dance
s
k
athak


I AM THE SK


Daykill on all players.


OK so you wanted to say "I am the SK" so you found some page that you could crumb it in, then you immediately pointed out where your crumb was? As if that's a more believable way to make the claim?

Again, you have no credibility this game. NONE.
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Post Post #1222 (ISO) » Sat Dec 19, 2015 4:46 pm

Post by RadiantCowbells »

In post 1221, bji wrote:
In post 1218, RadiantCowbells wrote:
I
n v
a
rious for
m
s
the
atrical dance
s
k
athak


I AM THE SK


Daykill on all players.


OK so you wanted to say "I am the SK" so you found some page that you could crumb it in, then you immediately pointed out where your crumb was? As if that's a more believable way to make the claim?

Again, you have no credibility this game. NONE.


bji, ladies and gentlemen.
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Post Post #1223 (ISO) » Sat Dec 19, 2015 4:49 pm

Post by golden009 »

Problems with this game of mafia:

Nobody is able to understand sarcasm.
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Post Post #1224 (ISO) » Sat Dec 19, 2015 4:50 pm

Post by RadiantCowbells »

Bji, you've already been daykilled.

This is an SK win.

Give it up, fool.

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