***Mini Normal 1744 - Country Music Mafia - Game Over***
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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In post 138, bji wrote:In post 136, Keyser Söze wrote:
I've seen mafia-aligned day vig's before in larger games but I don't think the mod would be that mean in our mini normal... so well played for revealing that early.
Not following here, sorry. Are you saying that RC has revealed that she or Dwlee99 is a dayvig? Or that RC has revealed that there is no dayvig (because if there were, presumably they'd, for ?reasons?, obey RC and day kill Dwlee99)?
And how sincere is the "well played"? Is this genuine praise of RC, sarcastic criticism of RC, or just joking nonsense?
Lots of people say lots of things. They all sound believable to me to some degree. Like, all of it. I feel lost ...
Here are my "trying to make stuff happen" reads, in order of "trying hardest" to "hardly trying":
Dwlee99
RolePlay25
Super
Cow
acryon
Keyser Soze
RadiantCowbells
golden009
Neumune
MarioManiac4
Bloodking
Diego
Here are my "seems sincere" reads, in order of "most believable" to "sketchiest":
acyron
MarioManiac4
Cow
Super
RolePlay25
Dwlee99
Diego
Bloodking
golden009
Keyser Soze
Neumune
RadiantCowbells
Here are my "heebie jeebies" reads, in order for "scares the sh** out of me" to "harmless":
Keyser Soze
RadiantCowbells
RolePlay25
acryon 8
Super
Neumune
MarioManiac4
Dwlee99
Cow
Bloodking
Diego
Now, how do I intersect these lists to find scum?
You can just go ahead and vote me.
There's really no need to make this giant wallpost to say that you want to vote le RadiantCowbells.-
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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In post 162, bji wrote:In post 151, RadiantCowbells wrote:Because why, because I was right about BBT scum?
I'm not sure what I would even have done in 1662 to upset you.
You're right. I'm too think skinned. My apologies for what I said, and it's a pleasure to have you in the game. Sincerely.
No, I legitimately have no idea what I did to upset you.
If you can fill me in, I can try to avoid doing it this game.-
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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I'm not worried about scum quickhammering; I'm worried about town doing it. People like RC this game/VIs clearly don't have an interest in being helpful, so I have seen them quickhammer. There is also the possibility of someone coming in that's been away, not realizing how many votes BK has, and accidentally hammering. No one should be put to L-1 unless the person putting them there is ready for them to die.
OH SHIT.
SHOTS FIRED.-
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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In post 744, Keyser Söze wrote:In post 737, RolePlay25 wrote:As an aside, I am dreadfully uninterested in voting RadientCowbells.
I wish RadientCowbells would post. I feel sorry for whoever shares his win-con.
You say that like you know that you don't.-
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RadiantCowbells He/himSmooth CriminalHe/him
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You are playing way, way differently than you were in 1737.
Annie is awesome.
You could very well be scum.
But maybe not?
idk I'm in a rut right now. I don't really have any reads.
You going to actually make a case on Keyser or just scream that they are scum, rc?
You act like I'm scumreading him strongly.
I'm not.-
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RadiantCowbells He/himSmooth CriminalHe/him
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If you think that RolePlay is scum, as your vote attests, why are you so neutrally bringing it up in the context of a bunch of other wagons?
With RolePlay being your primary scumread, wouldn't you be inclined to push me towards that one specifically instead of just ratting off a bunch of wagons?
What good does listing wagons do? How does it help you read me?-
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RadiantCowbells He/himSmooth CriminalHe/him
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In post 1201, Titus wrote:In post 1200, acryon wrote:In post 1177, Stairway to the Abyss wrote:Dude Roleplay's town.
Who are you?
Also, VOTE: Titus. Come on town.
That was me.
P.s. Golden RC is practically confirmed with my flip.
What's dis supposed to mean?-
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RadiantCowbells He/himSmooth CriminalHe/him
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RadiantCowbells He/himSmooth CriminalHe/him
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Human beings probably danced even before there was a word for it. Rhythmic bodily movement is instinctive. It connects people, even if unconsciously, to the rhythms of nature. Dance springs from a human desire for personal expression and social connection. and it feels good.
People dance for all kinds of reasons - to mourn, to celebrate, to heal, to give thanks, to preserve cultural heritage and treasured legends, to demonstrate physical prowess, to assert individuality, to provoke and to entertain.
Almost anyone can dance, regardless of age or ability. Maybe it's the Argentinean tango, the American square dance, the Viennese waltz, an improvised riff at a club or a step or two at a family wedding. Whatever the style or situation, dancing can be fun and a great way to socialize.
Related but different, theatrical dance is presented as art and entertainment. Trained dancers perform for an audience and the goal is to evoke a response. Dance becomes another way of communicating. A dance could express something specific like a story. It might seek to convey an idea, or it might simply be about creating an abstract effect, the way music often does.
Theatrical dance is often non-literal. The moving body conveys feelings or ideas that cannot be put into words. Try explaining the mesmerizing effect of Japanese butoh, with its meticulously controlled movement; or the exhilaration of break dance, with its fast, punchy jumps and turns.
Dance is a part of many popular entertainment forms, from ice shows, movies and music videos to Broadway musicals and the circus. It also stands on its own in concerts featuring solos, duets and ensemble works, often to live music.
Killing time while fixing a flat tire [Roshan Amendra]
Roshan Amendra
Killing time while fixing a flat tire
Performance styles are varied and evolving. They may reflect or challenge the social, cultural, even religious traditions and values of their root cultures.
Ballet, for example, is danced in many parts of the world but it is a European form, originating in the courtly entertainments of 15th century Italy. Courtly life requires formality and gracious behavior. Though it has changed over time, ballet still expresses these values today.
In contrast, various forms of South Asian dance now seen in a theatrical context have their roots in ancient temple dances. The characteristic rhythms of bharata natyam or kathak dance derive from musical traditions. The resulting grounded movement is notably different from ballet's upward lift - itself in relation to western melodic forms.
Start dancing ballet to jazz music and the movement begins to change. A new freedom in the hips creates a whole new effect not immediately identifiable as classical ballet. The labels we use to identify dance forms are arbitrary. They are designed to help analyze and categorize what is ultimately a shared human experience - the impulse to move.
Through dance, we can better understand our common humanity by appreciating and exploring the different inflections of this impulse.-
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RadiantCowbells He/himSmooth CriminalHe/him
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Human beings probably danced even before there was a word for it. Rhythmic bodily movement is instinctive. It connects people, even if unconsciously, to the rhythms of nature. Dance springs from a human desire for personal expression and social connection. and it feels good.
People dance for all kinds of reasons - to mourn, to celebrate, to heal, to give thanks, to preserve cultural heritage and treasured legends, to demonstrate physical prowess, to assert individuality, to provoke and to entertain.
Almost anyone can dance, regardless of age or ability. Maybe it's the Argentinean tango, the American square dance, the Viennese waltz, an improvised riff at a club or a step or two at a family wedding. Whatever the style or situation, dancing can be fun and a great way to socialize.
Related but different, theatrical dance is presented as art and entertainment. Trained dancers perform for an audience and the goal is to evoke a response. Dance becomes another way of communicating. A dance could express something specific like a story. It might seek to convey an idea, or it might simply be about creating an abstract effect, the way music often does.
Theatrical dance is often non-literal. The moving body conveys feelings or ideas that cannot be put into words. Try explaining the mesmerizing effect of Japanese butoh, with its meticulously controlled movement; or the exhilaration of break dance, with its fast, punchy jumps and turns.
Dance is a part of many popular entertainment forms, from ice shows, movies and music videos to Broadway musicals and the circus. It also stands on its own in concerts featuring solos, duets and ensemble works, often to live music.
Killing time while fixing a flat tire [Roshan Amendra]
Roshan Amendra
Killing time while fixing a flat tire
Performance styles are varied and evolving. They may reflect or challenge the social, cultural, even religious traditions and values of their root cultures.
Ballet, for example, is danced in many parts of the world but it is a European form, originating in the courtly entertainments of 15th century Italy. Courtly life requires formality and gracious behavior. Though it has changed over time, ballet still expresses these values today.
In contrast, various forms of South Asian dance now seen in a theatrical context have their roots in ancient temple dances. The characteristic rhythms of bharata natyam or kathak dance derive from musical traditions. The resulting grounded movement is notably different from ballet's upward lift - itself in relation to western melodic forms.
Start dancing ballet to jazz music and the movement begins to change. A new freedom in the hips creates a whole new effect not immediately identifiable as classical ballet. The labels we use to identify dance forms are arbitrary. They are designed to help analyze and categorize what is ultimately a shared human experience - the impulse to move.
Through dance, we can better understand our common humanity by appreciating and exploring the different inflections of this impulse.
In contrast, various forms of South Asian dance now seen in a theatrical context have their roots in ancient temple dances. The characteristic rhythms of bharata natyam or kathak dance derive from musical traditions. The resulting grounded movement is notably different from ballet's upward lift - itself in relation to western melodic forms.
Incontrast,variousformsof South Asian dance now seen in atheatricalcontext have their roots in ancient templedances. The characteristic rhythms of bharata natyam orkathakdance derive from musical traditions. The resulting grounded movement is notably different from ballet's upward lift - itself in relation to western melodic forms.
In various forms theatrical dances kathak
In various formstheatrical danceskathak
I AM THE SK
Daykill on all players.-
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RadiantCowbells He/himSmooth CriminalHe/him
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In post 1221, bji wrote:In post 1218, RadiantCowbells wrote:
In various formstheatrical danceskathak
I AM THE SK
Daykill on all players.
OK so you wanted to say "I am the SK" so you found some page that you could crumb it in, then you immediately pointed out where your crumb was? As if that's a more believable way to make the claim?
Again, you have no credibility this game. NONE.
bji, ladies and gentlemen.-
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